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A HOT DOCS 2019 FILM REVIEW: MIDNIGHT TRAVELER
Amidst cold nights in abandoned buildings, far and arduous treks through shrubs and forest, threats from both cops and smugglers, and an endless sense of shaky ground beneath their feet, a family captures their lightest, realest and most distinctly ordinary moments. This is the experience of Midnight Traveler.
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A Hot Docs 2019 Film Review: Born in Evin
Born In Evin does not exist to reinforce western perceptions of Iran, but instead serves as a relatable ode to the millions of first, second, and third generation of refugees and immigrants trying to move on from their haunted pasts.
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A Beginner’s Guide to Farsi Cinema: Tajikistan in Focus
In the 22 years since the end of the civil war in 1997, creatives in Tajikistan have faced economic stagnation, rising authoritarianism, cultural conservatism, and isolation from global conversations. This has forced creatives to make a choice: to work domestically with next-to-nothing budgets, no creative guidance, and little infrastructure, or to leave, learn, and navigate the booming yet competitive industries abroad.
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A Beginner’s Guide to Farsi Cinema: Iran in Focus
In the first edition of our three part series, we place a spotlight on some of the most culturally significant, and industry-forming films from Iranian history. As one of the most active film industries in the world, Iranian cinema is best known for its visual and narrative art house characteristics that demand an awareness from its audiences. The films on our list have all transcended the tests of time, each informing the approach of future filmmakers to come.
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The Co-production Effect: How Diverse Teams Can Make Better Films
One of FCC’s main goals is to foster co-productions between Farsi filmmakers and industry leaders around the world. Co-productions have a distinct advantage in the way they tell stories. The diverse interaction of culture and language fosters a higher level of creativity, which can translate into more interesting content.
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Women Fight for Freedom, One Film at a Time
Iran, Afghanistan, and Tajikistan are very male-dominant societies, where the rights of women are heavily restricted. Despite the reality of its patriarchal culture, the film industries of the Farsi region present an unexpected anomaly; an abundance of highly respected, and critically-acclaimed female filmmakers.